Born 1955
Quote from the two-volume book Tommerup Ceramic Workcenter published in 2018:
”Michael Kvium’s sculptures came to reflect the same figures that could also be seen in his paintings at the time: twisted human figures with deformed limbs, including infants surrounded by torn-off adult ears or circling snakes – and also by human skulls. In the physically largest of the works, ”Deep White,” nine naked female upperbodies with typically deformed, naked heads poke up out of the paraffin-wax lake, apparently without any form of mutual contact whatsoever. All of Kvium’s sculptures are glazed in white, with the exception of a single, very elongated cranium that was given a slate-grey glaze.”
